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Academy of Music
The Opera Company presents its season of four mainstage productions at the Academy of Music, located at Broad and Locust Streets in center city Philadelphia. Owned by the Philadelphia Orchestra, this magnificent 19th century opera house is the oldest venue in the United States still used for its original purpose.
Since its opening in 1857 the Academy has seen events such as the American premiere of Faust and performances by such legendary figures as Tchaikovsky, Strauss, Rachmaninoff, Saint-Saëns, Mahler and many others. 1902 saw a series of operas produced by Pietro Mascagni. A 1907 performance of Madama Butterfly starring Caruso and Farrar was attended by Puccini.
The demands of operatic scenery were given consideration during the planning phase in 1855 when the architects, LeBrun and Rungé, wrote "The following qualities are absolutely necessary in a perfectly constructed stage:... that we should be able to simultaneously elevate all the scenery entirely above the canopies, to drop it beneath the stage, and to move it horizontally on either side. All these conditions are fulfilled in the construction of our stage, which combines the excellencies of the most celebrated European theatres". Their success was attested to in a review of 1857's Il Trovatore by the New York Tribune: "Of all the remarkable things brought to attention by the opening of this new temple of the Muses, the beauty of the scenery attracted the most admiration.... The great height of the stage and the excellent arrangement of the 'flies' added increased charms to this department, the result of which must have been highly gratifying to the artists".
A nineteenth century view of the AcademyThe Academy's acoustics were a prime concern of its architects, who wrote in 1854, "By reference to the sections, it will be observed, that it has been designed in the most approved manner for acoustic effects. The space it occupies is solidly walled in from the foundation up to its floor, and an inverted brick arch would be built along its whole length, against the soil on which it is constructed. Its wooden floor is of slightly convex form, and is proposed to be framed and boarded with white pine, of the lightest scantling, and kept disconnected from any other wood work; in its covering, apertures would be made at intervals; the whole combination being such as to produce the effect of a perfect sounding board".
The building has seen many renovations over the years. Electric lighting made its debut in 1872; 1884 saw the conversion of the chandelier to electricity and other improvements. By the turn of the century all the gas lights had been replaced with safer electric units. 1908 saw further renovation of the seating, lobbies and chandelier and in 1916 the press reported "several improvements on the stage and in the lighting arrangements of the house will be made, and that the whole plan is to make the Academy a centre for the literary, musical and civic interests of the city".
Backstage at the AcademyIn 1918 Leopold Stokowski was quoted as saying "As everyone knows, the Academy will be condemned sooner or later. Why don't the people of Philadelphia get together now and prepare plans for a new, modern structure on the Parkway?" Shortly afterwards the Academy's conversion to a movie theatre was contemplated. Renovations were carried out in 1920 including the removal of the forestage, changes in the seating plan which expanded capacity to 3000, new stage equipment and new dressing rooms. Nevertheless, demolition was actually considered in 1934 to make way for a parking lot.
When the Philadelphia Orchestra acquired a controlling interest in the Academy in 1950 a study by an engineering firm recommended improvements in the areas of safety, comfort and appearance. In a plea for preservation Stuart F. Louchheim, president of the Academy said "culturally, it means to this city, if not to the nation, what Independence Hall means historically". Working during the summers so as not to disturb performance schedules, major restoration began in 1957 with work on the chandelier, woodwork, murals and construction of a new orchestra shell; the restoration continued through 1963.
An opera at the Academy, circa 1870Recently major renovation of the Academy, the "Twenty First Century Plan" was begun by The Philadelphia Orchestra during 1995. This project, which will take a number of years to complete, will modernize both the audience and backstage facilities and provide structural improvements. Once completed, these improvements will insure the survival of the "Grand Old Lady of Broad Street" for future generations of opera-goers.
Much of the information in this article is courtesy of John Francis Marion's book Within These Walls (Academy of Music, Philadelphia 1984).
Perelman Theater
The Perelman Theater is one of the two major venues in the Kimmel Center for the Performing Arts and is home to the Chamber Orchestra of Philadelphia, The Philadelphia Chamber Music Society, and American Theater Arts for Youth, as well as chamber concerts by The Philadelphia Orchestra. The 650-seat theater has a unique 75-foot-diameter turntable stage that transforms the Perelman from an intimate recital hall with outstanding acoustics to a proscenium theater.
The Kimmel Center began to take shape in 1996 when two projects came together: The Philadelphia Orchestra's ongoing plan to build a new home for itself, and a plan of then-Mayor Edward G. Rendell to provide a much-needed venue for some of Philadelphia's most prominent performing arts companies and for touring presentations. With the generous consent of the Orchestra, which had acquired a property at Broad and Spruce Streets, the two plans were merged under the supervision and management of a new organization, the Regional Performing Arts Center (RPAC).
Groundbreaking for the Kimmel Center took place on November 12, 1998 and the Center had its official opening on December 16, 2001. Today, Kimmel Center, Inc. facilities host eight resident companies: Verizon Hall is home to The Philadelphia Orchestra and to Peter Nero and the Philly Pops®. Perelman Theater is home to PHILADANCO, The Chamber Orchestra of Philadelphia, The Philadelphia Chamber Music Society and American Theater Arts for Youth. The Academy of Music is home to the Opera Company of Philadelphia and the Pennsylvania Ballet.
Church of the Advocate
In February 2007 the Opera Company of Philadelphia partnered with Art Sanctuary's North Stars after school program to present the inaugural program, Hip H'Opera, at the Art Sanctuary's home in the Church of the Advocate. The Opera Company looks forward to a continued partnership with the Art Sanctuary and many more events at the Church of the Advocate.
The Church of the Advocate, a National Historic Landmark Building, was built as a memorial to George W. South (1799-1884), a wealthy merchant and a Philadelphia County Treasurer. Designed by Charles M. Burns (1838-1922), the noted architect, in the style of the great European cathedrals, the Church of the Advocate stands as a magnificent example of Ecclesiological design in America.
In 1968, the Advocate hosted the city's Black Power Conference; in 1974, the first women priests in the Episcopal Church were ordained there. Today, the Advocate is a small, but active and activist, congregation that houses an after school program, a soup kitchen, social work, food cupboard, clothes closet and summer camp. It was a founding member of Philadelphia Interfaith Action, an organization of religious organizations working together to better the lives of city residents. It also gave birth to the Advocate Community Development Corporation (A.C.D.C.), a now-independent non-profit real estate developer that has built or renovated more than two hundred units of housing in the neighborhood.
Art Sanctuary has been made possible by the church's generous sharing of its building, a six story French Gothic Cathedral hung with spectacular murals of black history and struggle.
Click here for more information on the Art Sanctuary and the Church of the Advocate
